Practicing psychology in the art gallery: Vernon Lee's aesthetics of empathy

Practicing psychology in the art gallery: Vernon Lee's aesthetics of empathy

Source :

• Journal of the History of the Behavioral Sciences [ 0022-5061 ] ; 2009-09.

English descriptors

• Teeft :
  • Abstract form, Academic psychology, Actual movement, Actual movements, Aesthetic, Aesthetic appreciation, Aesthetic contemplation, Aesthetic context, Aesthetic experience, Aesthetic experiments, Aesthetic form, Aesthetic object, Aesthetic perception, Aesthetic pleasure, Aesthetic reception, Aesthetic response, Aesthetic standpoint, Aesthetic theories, Aesthetician, Aestheticism, Aesthetics, Aesthetik, Aesthetische genuss, Allgemeine kunstwissenschaft, Anstrutherthomson, Architectural forms, Archiv systematische philosophie, August, Baldwin, Behavioral, Behavioral sciences, Berenson, Bernard berenson, Biographical essay, Blank wall, Bodily, Bodily accompaniments, Bodily activity, Bodily basis, Bodily movements, Bodily responses, Bodily sensations, Bodley head, British aestheticism, California press, Cambridge university press, Catherine maxwell, Chicago press, Christa zorn, Colby, Colby college, Commonplace book, Commonplace books, Connoisseur bernard berenson, Contemporary psychologists, Contemporary review, Cornell psychologist, Critical discourse, Decadence, December, Downward pressure, Empathic, Empathic projection, Empathic response, Empathy, Empathy theory, Evolutionary models, Experimental physiology, Experimental psychology, Experimental studies, Experimental subject, Fine arts, Florentine painters, Fraser, Gallery diaries, George allen unwin, German aesthetics, Getty center, Great number, Groos, Henry james, Hermann lotze, Hilary fraser, Historical journal, Historigraphical review, Holograph notes, Impressionistic method, Inner imitation, Inner mimicry, Inner motor movements, International universities press, Intimate friends, Introspection, Irene cooper willis, James sully, James wood, Johns hopkins university press, Karl groos, Kinesthetic images, Lanzoni, Laurus nobilis, Leipzig, Lipps, Literary biography, Literary scholars, Localized sensations, Macmillan, Mark baldwin, Miller library, Modern culture, Moral claims, Motor movements, Motor responses, Motor theories, Motor type, Nineteenth century, Ohio university press, Other psychologists, Other studies, Oxford university, Oxford university press, Paget, Palgrave, Palgrave macmillan, Pater, Pater circle, Patricia pulham, Photographic print, Physiological aesthetics, Physiological theories, Plural anomalies, Popular culture, Psychological aesthetics, Psychological congress, Psychological laboratory, Psychological literature, Psychological review, Psychologist, Psychologist karl groos, Psychology, Pulham, Renaissance italy, Revue philosophique, Ribot, Santa monica, Scientific journals, Sexual sublimation, Short stories, Social history, Somerville, Somerville college, Spatial enclosure, Sthetik, Subjective states, Susan lanzoni, Sympathie revue philosophique, Theodor lipps, Third dimension, Titchener, Towheed, Transitional object, Twentieth century, University press, Unpublished papers, Vernon, Victorian studies, Vineta colby, Violet paget, Virginia press, Virginia woolf, Vischer, Visual aesthetics, Wiley periodicals, William james, Word sympathy, Yale university press, Zorn.

Abstract

• https://api.istex.fr/document/E03BDADFD4FBBA4FE4A1BD1723008CF04FCF2139/fulltext/pdf

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